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Women Make Horror

Filmmaking, Feminism, Genre

Alison Peirse (editor) Alison Peirse (Contributions by)
Alicia Kozma (Contributions by)
Alexandra Heller-Nicholas (Contributions by)
Martha Shearer (Contributions by)
Katia Houde (Contributions by)
Tosha R. Taylor (Contributions by)

ISBN: 9781978805118

Publication Date: Sep 2020

Format: Paperback

Also available as: Hardback  

Offers the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking.
£27.50

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  • Author Biography
  • Customer Reviews
But women were never out there making horror films, that's why they are not written about – you can't include what doesn't exist."

"There are really, very few women horror filmmakers working today, that's why so few are coming up."

"Women are just not that interested in making horror films."

"How can you be a woman and be a fan of horror?"

This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.

Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.

Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.

Reviews

"It's about time a book like this came to light! Why wouldn't women make horror? We've been dealing with it forever. As artists we often bring up the very things we are most afraid of as a way of facing them, and there's a lot to fear in this world where men still dominate. May books like this -- eloquently written -- help to bring about a shift toward equality and embracing female artistic perspectives whatever they may be."
"This thrilling collection of essays confirms what women have known since Mary Shelley: patriarchy is scary, and the horror genre can gruesomely, gloriously play out its nightmares. Women Make Horror reveals the rich history of women's engagement with horror films, crossing national and scholarly boundaries to explore horror's feminist themes and questions. It will jumpstart a new playlist of women's horror cinema and will provoke us to rethink the films we've already seen."
Pages 270
Dimensions 235 x 156
Date Published 30 Sep 2020
Publisher Rutgers University Press
Subject/s Gender studies: women   Film: styles & genres   Feminism & feminist theory   Film theory & criticism  
Alison Peirse is an associate professor in film and media at the University of Leeds, UK. She is author of After Dracula: The 1930s Horror Film and co-editor of Korean Horror Cinema.

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