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The Nature of Order, Book 3: A Vision of A Living World

An Essay on the Art of Building and The Nature of the Universe

Christopher Alexander (author)

ISBN: 9780972652933

Publication Date: Jun 2005

Format: Hardback

Includes hundreds of photographic examples of buildings, public places, streets, rooms and gardens, most built by Alexander and his colleagues, in a great variety of cultures, showing how buildings and details governed by living process will be connected to human feeling, and what shape they must have.
£54.95

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  • Full Description
  • More Information
  • Table of Contents
  • Author Biography
  • Customer Reviews
Christopher Alexander's series of ground-breaking books – including A Pattern Language and The Timeless Way of Building – have pointed to fundamental truths of the way we build, revealing what gives life and beauty and true functionality to our buildings and towns. Now, in The Nature of Order, Alexander explores the properties of life itself, highlighting a set of well-defined structures present in all order – and in all life – from micro-organisms and mountain ranges to good houses and vibrant communities.

From a practical point of view, A Vision of a Living World is the most compelling of the four books. Hundreds of photographs and plans of new buildings that have living structure, and the processes which gave them life, demonstrate, for the first time, what the concept of living structure can mean in buildings of our time and of the future.

The really good building. The really good space. Places that reach an archetypal level of human experience, reaching across centuries, across continents, across cultures, across technology, across building materials and climates. They connect us to ourselves. They connect us to our feelings. What is more, as we study them, we realize that they all share a similar geometry. How are they made? The practical task of making beauty is the principal subject of this volume.

Hundreds of examples of buildings and places are shown. New forms for large buildings, public spaces, communities, neighborhoods, lead to discussions about equally important small scale of detail and ornament and colour. Many of the examples are built by Alexander and his colleagues; other buildings explored take us around the world and through time.

With these examples, lay people, architects, builders, artists, and students are able to make this new framework real for themselves, understand how it works, and understand its significance. The book is a feast for the eyes, and mind, and heart. Places created by living process (Book 2) have living structure (Book 1), and they connect us to our essence as people (Book 4). The seven hundred pictures of Alexander's buildings and works of art shown in this book demonstrate in detail what he means.

Taken as a whole, the four books create a sweeping new conception of the nature of things which is both objective and structural (hence part of science) – and also personal (in that it shows how and why things have the power to touch the human heart). A step has been taken, through which these two domains – the domain of geometrical structure and the feeling it creates – kept separate during four centuries of scientific though from 1600 to 2000, have finally been united.

"The Nature of Order constitutes the backbone of "Building Beauty: Ecologic Design & Construction Process", an initiative aimed at radically reforming architecture education, with the emphasis of making as a way to access a transformative vision of the world. The 15 fundamental properties of life guide our work and have given us much more than a set of solutions. The Nature of Order has given us the framework in which we can search and build up our own solutions.

"In order to be authentically sustainable, buildings and places have to be cared for and loved over generations. Beautiful buildings and places are more likely to be loved, and they become more beautiful, and loved, through the attention given to them over time. Beauty is therefore, not a luxury, or an option, it includes and transcends technological innovation, and is a necessary requirement for a truly sustainable culture."
 
Dr. Sergio Porta, International Director, Building Beauty (www.buildingbeauty.org)
Professor of Urban Design, Director of Urban Design Studies Unit, and Director of Masters in Urban Design, University of Strathclyde


Reviews

"...Alexander's approach presents a fundamental challenge to us and our style-obsessed age. It suggests that beautiful form can come about only through a process that is meaningful to people..." – Thomas Fisher, Former Editor, Progressive Architecture

"Alexander's genetic scripts are likely to... play a role so fundamental in the future,that their widespread use cannot even be imagined today. This will change the world as effectively as the advent of printing changed the world." – Doug Carlston, Co-founder, Broderbund Software, Founder & CEO, icPlanet.com

"...I can think of no one – certainly no one in the last thirty or so years – who has produced a deeper, more profoundly meaningful, visionary and lasting body of work that both unifies and transcends science and spirituality, than Christopher Alexander." – Andy Ilachinsky, Theoretical Physicist

"Five hundred years is a long time, and I don't expect that many of the people I interview will be known in the year 2500. Alexander may be an exception." – David Creelman, Author, Interviewer, and Editor, HR Magazine

"...I believe Alexander is likely to be remembered most of all, in the end, for having produced the first credible proof of the existence of God..." – Eric Buck, Department of Philosophy, University of Kentucky
  • PART ONE
  • 1. Our Belonging to the World: Part One.
  • 2. Our Belonging to the World: Part Two.
  • PART TWO
  • 3. The Hulls of Public Space.
  • 4. The Form of Public Buildings.
  • 5. Production of Giant Projects.
  • 6. The Positive Pattern of Space and Volume in Three Dimensions of the Land.
  • 7. Positive Space in Structure and Materials.
  • 8. The Character of Gardens.
  • PART THREE
  • 9. Forming a Collective Vision for a Neighbourhood.
  • 10. Reconstruction of an Urban Neighbourhood.
  • 11. High Density Housing.
  • 12. Further Dynamics of a Growing Neighbourhood.
  • PART FOUR
  • 13. The Uniqueness of People's Individual Worlds.
  • 14. The Character of Rooms.
  • PART FIVE
  • 15. Construction Elements as Living Centers.
  • 16. All Building as Making.
  • 17. Active Invention of New Building Techniques.
  • PART SIX
  • 18. Ornament as a Part of All Unfolding.
  • 19. Color which Unfolds from the Configuration.
  • EPOLOGUE: The Morphology of Living Architecture.
Christopher Alexander is a builder, craftsman, general contractor, architect, painter, and teacher. He taught from 1963 to 2002 as Professor of Architecture at the University of California, Berkeley, and is now Professor Emeritus. He has spent his life running construction projects, experimenting with new building methods and materials, and crafting carefully articulated buildings – all to advance the idea that people can build environments in which they will thrive. Acting on his deeply held conviction that, as a society, we must recover the means by which we can build and maintain healthy living environments, he has lived and worked in many cultures, and built buildings all over the world. Making neighborhoods, building-complexes, buildings, balustrades, columns, ceilings, windows, tiles, ornaments, models and mockups, paintings, furniture, castings and carvings – all this has been his passion, and is the cornerstone from which his paradigm-changing principles have been derived.

Professor Alexander is a fellow of the American Academy of Arts and Sciences. He received his doctorate in Architecture from Harvard University after completing degrees at Cambridge University in mathematics and architecture. He is the winner of the first medal for research awarded by the American Institute of Architects, a member of the Swedish Royal Academy, recipient of the Distinguished Professor Award from the American Association of Collegiate Schools of Architecture, and the recipient of the Vincent Scully Prize awarded by the National Building Museum in the US, among many other prestigious awards throughout his career.

Christopher Alexander writes "I believe we are on the threshold of a new era when the proper understanding of the deep questions of space, as they are embodied in architecture will play a revolutionary role in the way we see the world and will do for the world view of the 21st and 22nd centuries, what physics did for the 19th and 20th."

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