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ISBN: 9780814338247

Publication Date: Feb 2014

Format: Paperback

In January 2004, Showtime debuted The L Word, the first US prime-time commercial drama to centre around lesbian characters. The show was widely read as evidence of changing social attitudes toward gay people. Margaret T. McFadden argues that the show is important for its subject matter, its extended and deeply literate commentary on the history of representation of lesbians in popular media, and the formal innovations it deployed to rewrite that history.
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In January 2004, Showtime debuted The L Word, the first prime-time commercial drama to centre around lesbian characters. Over the course of six seasons, the show depicted the lives and loves of an evolving circle of friends in West Hollywood, California, and was widely read as evidence of changing social attitudes toward gay people. Building on immediate critical attention, the show reigned as Showtime's most popular for its first three seasons and earned a large and enthusiastic audience. In The L Word, author Margaret T. McFadden argues that the show is important for its subject matter, its extended and deeply literate commentary on the history of representation of lesbians in popular media, and the formal innovations it deployed to rewrite that history.

McFadden shows that the programme’s creators, led by executive producer Ilene Chaiken, were well aware of the assumptions and expectations that viewers would bring to it after a history of stereotypical depictions of lesbians on television. They sought to satisfy a diverse group of viewers who wanted honest and appealing portrayals of their lives while still attracting a large enough mainstream audience to make The L Word commercially viable. In five chapters, McFadden explores how the show tackled these problems of representation by using reflexivity as a strategy to make meaning, undertaking a complicitous critique of Hollywood, skillfully using a soap-drama format to draw in its audience and ultimately creating its own complex representation of a lesbian community.

While deconstructing the history of misrepresentation of lesbians, The L Word’s new modes of storytelling and new perspectives made many aspects of lesbian experience, history and culture visible to a large audience. Fans of the show as well as readers interested in cultural studies and gay and lesbian pop cultural history will enjoy this astute volume.

Reviews

..her book is about how The L Word got it right...a television studies book you can actually endure cover to cover".
Ray Filar, The Times Literary Supplement
Illustrations 12 illustrations
Pages 152
Dimensions 178 x 127
Date Published 28 Feb 2014
Publisher Wayne State University Press
Series TV Milestones Series
Subject/s Lesbian studies   Television scripts & screenplays  
Margaret T. McFadden is Christian A. Johnson Associate Professor of Integrated Liberal Learning at Colby College, where she teaches in the American Studies programme and directs the Integrated Studies programme.

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