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Glimmerings of ecofeminist theory that would emerge a century later can be detected in women's poetry of the later Victorian period. Patricia Murphy examines the work of six "proto-ecofeminist" poets - Augusta Webster, Mathilde Blind, Michael Field, Alice Meynell, Constance Naden, and L. S. Bevington - who contested the exploitation of the natural world. Challenging prevalent assumptions that nature is inferior, rightly subordinated, and deservedly manipulated, these poets instead "reconstructed" nature.
| Pages | 280 |
|---|---|
| Dimensions | 229 x 152 |
| Date Published | 30 Mar 2019 |
| Publisher | University of Missouri Press |
| Subject/s | Literary studies: general Literary studies: poetry & poets |
Patricia Murphy is Professor Emerita of English at Missouri Southern State University and the author of four books, including The New Woman Gothic: Reconfigurations of Distress and In Science's Shadow: Literary Constructions of Late Victorian Women (both University of Missouri Press) and Time Is of the Essence: Temporality, Gender, and the New Woman (SUNY Press). She lives in Joplin, Missouri.
